PietThese are the last days of 1999. At St Peter's Basilica in Rome, as the world waits for the new millennium, Lucy, a young Australian woman, looks up at Michelangelo's Piet behind its pane of bullet proof glass; a red kabbalah string circles her wrist. She has come with the mysterious parcel her recently deceased mother asked her to bring to the box marked POSTE VATICANE. But before Rome, there is Saint Cloud. Here, on the outskirts of Paris, Lucy